Noël B. approaches artistic production almost by chance with a first approach to color that continues to use basic shades of the six primary colors to which gold and silver are sometimes added, testifying to the intense spiritual and symbolic content of his painting.

This is configured as instinctive painting, which the impulsiveness of the gesture produces and yet this is guided by a harmonious will which is the channeling of thoughts, impressions and above all feelings: painting is a mirror which the artist changes orientation to see better if itself, to observe the depths of its creation, which is both complex and simple and allows us to actually perceive much more than it openly manifests.

The practice of painting is for Noël B. the opportunity to detach himself from the earthly dimension and come into intimate contact with his own interiority, letting go of space-time anchors to descend into a "beyond" populated by the semblance of his own feelings.
These are retranslated with the awareness of those who have overcome their own blocks to reach a pure, essential vision of the things of the world.

The circle, which is the key feature of his painting, testifies to an approach to the outside that has smoothed its corners, reduced its roughness and angularity, because the nucleus that contains the mystery of the cyclical nature of life is always circular, in perpetual infinity movement.

An elegant and never repetitive design, a whirlwind of emotions that reaches the user's gaze directly.